Street art piece
Street Art Museum Amsterdam
Btoy is one of the first women who stepped out onto the streets of Barcelonawith detailed multi-layered stencil art that playswith colour, light and shadow to create moody and powerful portraits. Born in Barcelona, Btoy is the child of social activists and refugees fleeing the dictatorial regime in Uruguay lasting from 1973-85. As a self-taught artist, she came to graffiti while completing a photography degree (and after abandoning studies in law), first playing with paste-ups on the streets of Barcelona in the early 2000’s. At that time, before it became the mass tourism hotspot it is today, a welcoming culture and low cost of living in Barcelona created fertile ground for those experimenting with graffiti, underground music, theater and art subcultures. It was in this setting that Btoy began to vigorously investigate feminism, stereotyped gender roles and identities, and to express her own identity through her work, choosing the streets as her medium for their freedom from convention, their hidden moods, memories, and stories.
Bad / Partially Legible
This small work is made with the stencil technique and the use of montana spray directly onto a sheet of paper, which is then glued onto a public surface. The technique, known as paste-up, is typical of urban artists who want to endow their works with detail and realism or for serial reproduction. In this case, the portrait is executed with great realism as well as the details.
The female portrait is one of the most recurrent themes in Btoy's production, especially when linked to the theme of female emancipation, feminism and multiculturalism. In this work, Btoy returns to the world of comics and superheroes after the work "Super Woman", created for the collection in 2012, with the representation of Catwoman, the famous DC Comics heroine. The portrait of Catwoman is sensual and attractive, with the aim of playing with the sexual stereotype of superheroines in the animated universe.